Showing posts with label dan harmon. Show all posts
Showing posts with label dan harmon. Show all posts

Monday, January 6, 2014

Community is back – for real this time

Season 5 Episodes 1 & 2 – "Repilot" and "Introduction to Teaching"


Other than belonging to the same series, there's exactly one thing I see in common between Community's fourth and fifth season premieres, "History 101" and "Repilot": You can see the sweat on their brows. Some Community episodes have a relaxed, easygoing vibe to them – and plenty of entire sitcoms, including most of TV's highest-rated, are always relaxed and easygoing – but sometimes Community is working really, really hard, and both of these episodes fall in the latter category.

Difference is that in the fourth season premiere, with Dan Harmon in the wind, the new producers were working hard at proving Community was still Community by throwing as much of what they saw as "Community-type stuff" at the screen as possible: An extended Hunger Games spoof, an extended Inception spoof, an animated Muppet Babies spoof, a laugh track-scored multicamera sitcom spoof, and lots of Community recurring characters and catchphrases, all layered in on each other and crammed into 22 minutes. And whatever your stance on "History 101" – I neither hated nor loved it – no one can deny that Guarascio and Port were working incredibly hard to placate the fanbase and assure them that Community hadn't gone mainstream.

(Whether they were still working hard by the time "Advanced Introduction to Finality" rolled around is a whole different thing, and based on the evidence my theory would have to be "No.")

"Repilot" is also clearly the end result of dozens of rewrites, but otherwise exactly the opposite: A quasi-bottle episode set mostly around the study room table; one of the quietest, most down-to-earth, low-key and purely emotionally-driven of Community's 86 episodes to date. It has jokes, but they all stem from dialogue and character give or take a robot fight and table bursting aflame, and pop culture references, but no outright spoof (unless you count the perfectly-placed Zach Braff Scrubs voiceover narration at the end). Like Guarascio and Port, Dan Harmon is here to prove that Community is still Community, but rather than with wackiness, he's doing so through character and emotion – which ultimately proves superior.

Where all the effort comes in is right there in the title; in the repiloting. In introducing a whole new premise and status quo and new and surprisingly dark and despairing beginnings for these characters to relaunch from. The episode feels subdued, but under the surface there's a million engine parts cranking as the show bends over backwards to get the Greendale Seven Six home in 22 minutes without it being stupid as hell. And it would have been a real episode-killer for me and weak, uncompelling writing if the study group had returned to Greendale for no other reason than that they missed it and loved each other.

But that's why the lawsuit concept Harmon has come up with is great: Though Jeff Winger now loves these people, the lawsuit allows him to nevertheless again become the deceptive snake in the grass trying to get something from them he was way back in the show's original pilot. It tears at these people's bonds and threatens the school's very existence not with paintball war or zombies but with a piece of paper. In a word, stakes, something Harmon has always excelled at. So when the study group finally comes together and builds Table Mk II, it really means something, as Jeff, Britta, Troy, Annie, Abed and Shirley have made it through a gauntlet of real emotional darkness.

When you've accomplished that much in your plotting and character work and emotion, the fact that "Repilot" is also stuffed full of funny jokes and quotes and has a Pierce Hawthorne cameo is just kinda icing on the cake. It's not quite season 2's "Anthropology 101" (for my money, damn near the best season premiere for a live-action sitcom ever), but it's a damn good episode of Community.

Season 5's second outing, "Introduction to Teaching," also has a bit of work to do in its introduction of criminology professor Buzz Hickey, played by Breaking Bad's Jonathan Banks. And it does it well, establishing Buzz's intimidating exterior, uncertain/aspiring cartoonist interior and new place in the group quickly, efficiently and entertainingly, straight through to the simultaneously dark and goofily hilarious end tag. The fact that Banks proves an instantly great sitcom actor – something not necessarily true of every badass guest from dramatic cable TV Community has brought in – sure helps too.

But beyond that splash of laying the groundwork – certainly less intense than "Repilot" in that regard – "Introduction to Teaching" is Dan Harmon proving that he can still do a relaxed, easy-viewing half-hour about Greendale antics and classroom shenanigans and wacky teachers and pop culture discussion without any high concept or needing to spoof anything. It's totally in the spirit of season 1 episodes like "Beginner Pottery" and "Physical Education" or season 2's "Competitive Wine Tasting." And, after a near-complete lack of classroom antics in season 4 (the history class in "Alternative History of the German Invasion" and the physical education education in "Economics of Marine Biology" are all I can come up with, and neither of those stories were that great), it's a nice skin to see Community back in.

When Community draws to its end, neither "Repilot" or "Introduction to Teaching" are likely to top many people's best-of lists (though "Repilot" probably deserves to be high up on a most-important list), but I loved them all the same because the show's voice is back. The rhythms of the jokes and dialogue and editing are back. Jeff's cockiness and Abed's references feel like they used to again. Annie is once again a driven go-getter and not just Jeff's romantic interest. Without Dan Harmon, Community was an ice cream sundae minus the ice cream – the cherries and syrup and sprinkles and nuts may taste good, but they aren't why anyone ordered the damn thing. And with Community's feet back under it, I look forward to seeing what strange and compelling new ice cream flavors Harmon can show us next.

Odds and ends:

• One thing I'm not sure I liked? Shirley having lost her job, her husband, her kids and her dreams (and 166 episodes of Bones) in the space between seasons 4 and 5. I'm all for emotional stakes, but... christ. That is really, really dark. Like, that's genuinely upsetting stuff. Maybe it should just have been Shirley's Sandwiches failing?

• I'm curious to see if the story with the collapsing bridge and Marvin Humphries and the lawsuit against Greendale is over and done with or if it comes up again later this season. It does seem like kind of a big deal, and could serve as a way to tie the season together.

• I admired the cinematography here, with the moody, almost dramatic-television lighting of "Repilot" reflecting the character's emotional states and giving way to something brighter and cheerier in "Introduction to Teaching." (Also on the visual front, I liked the wide, long establishing shot of the entire campus after the credits in "Repilot." It was a breath of fresh air after the claustrophobic "Advanced Introduction to Finality.")

• For the record, Adaptation pushes me just over into the "good" column in the Nicolas Cage debate. Without that movie I'd probably be just as confused as Abed. Adaptation or no, nothing changes the fact that Knowing is one of the very worst movies I've seen in a theater in the last five years.

Favorite line: In "Repilot," Annie and Britta's exchange: "At least the drugs I sell don't get slurped out of my belly button!" "THAT'S ONLY ON TUMMY TUESDAYS!" In "Introduction to Teaching," Buzz Hickey to Leonard: "Go and get your earring, you piece of human garbage." However, my all-around favorite joke was not a line, but the visual gag of Table Mk II getting an F in birdhouse class.

Saturday, January 4, 2014

Greendale Is Where Tim Belongs, Episode 1/2: "Repilot" & "Introduction to Teaching"


Welcome back Human Beings! Today I'm launching a new podcast, Greendale Is Where Tim Belongs, a weekly audio review of Community season 5 starting with Thursday's two-episode premiere event, "Repilot" and "Introduction to Teaching." This is my first attempt at reviewing a half-hour sitcom in the audio format, so pardons if this debut outing is a tad rough and recap-y. Thankfully, Greendale accepts us and our podcasts, flaws and all.

Greendale Is Where Tim Belongs, Episode 1/2: "Repilot" and "Introduction to Teaching"

Tuesday, June 4, 2013

Last week – the best TV news week ever?


About five weeks back when I discussed Parenthood's renewal for a 22-episode fifth season, I opined that one of the few pieces of TV news that could have possibly made me happier was Dan Harmon being rehired on Community. That I mentioned this directly alongside the possibility of a time traveler coming back to tell me that George R.R. Martin releases his novels fast enough for Game of Thrones to finish properly should indicate how little I actually believed this would ever happen.

Barring Friday Night Lights and ignoring its sans-Harmon fourth season (which had its high points, but a largely mediocre final arc that crashed and burned with a disastrous finale that's easily the worst episode of the series), Community is the best TV show to air episodes in the last five years. That's opinion, of course, but it's the correct opinion, and certainly no one but contrarians worthy of no thought beyond that needed to roll your eyes can deny the sheer bounty of ambition and creativity that poured forth from this amazing show under Dan Harmon. Frankly, I'll be a little surprised if we see a live-action sitcom season as singularly imaginative as Community season 2 again in my lifetime.

But more important than the formal experimentalism of Community – which season 4 tried without Harmon, and did an ok job with from time to time, but it really, really wasn't the same – this means we'll finally get these characters back on the paths of the emotional journeys their creator intended them to take. Except for Pierce, anyway, but the real Jeff and Britta and Troy and Abed and Annie and Shirley are back, baby. They're fucking back.

So yeah, I'm happy. I'm modulating here, because the sheer extent of how deliriously fucking joyful I am that I'm going to get my favorite TV show back (keeping in mind that I don't consider season 4 the same show) can't really be overstated. Just a few weeks ago I was terrified and depressed that the dreadful "Advanced Introduction to Finality" might be the series finale of Community. And now Dan Harmon is going to get to write the series finale of Community. What the fuck could be better than that?


The answer is nothing, of course. But you know what's a damn close second? The renewal of the spectacular work of horrific televised art that is Bryan Fuller's Hannibal; a vote of confidence for great storytelling in defiance of its mediocre-to-poor ratings. Hannibal isn't just good, it's utterly fantastic. As of this point in its season it's the best debut season for any TV drama since Game of Thrones in 2011 and the best debut season for a network drama since Friday Night Lights in 2006.

Barring Bunheads and The Legend of Korra, it makes me want to go back and reedit just about every positive review I gave a new series in the last two years, because it makes me realize I was faking that positivity all along. Because here is actual bona fide great fucking television worthy of true, unfettered enthusiasm.

And NBC renewed it, and we're going to get to watch this awesome show again come 2014. With Bunheads probably canceled at this point, this is the welcome renewal news I needed to keep going with this whole "being a fan of TV the medium" thing.

(Want to literally hear more on what I have to say on Hannibal? You're in luck, because I already have three podcasts on the topic, with a fourth on the way! Here, here and here. I'd advise one at a time, but if you can listen to three at once like some kind of multitasking beast, hey, rock on. Rock on.)

Dan Harmon rehired on Community, Hannibal renewed against all odds, Parenthood coming back for its fifth (and second full-length) season... What are these feelings I'm feeling towards NBC? It's not like envy, or even hungry... It's like my heart is getting hard.

Saturday, February 9, 2013

Community Is Community, But Also, It's Not?

Season 4 Episode 1 - "History 101"


I need help reacting to something.

I find myself dizzyingly mixed on Community's fourth season premiere, "History 101." It's not that I didn't laugh a number of times. It's not that I didn't find the episode's final act clever, especially the "Aha!" moment where it becomes clear that we're watching an Inception parody. It's not that I didn't find it far more memorable than the blandly pleasant oatmeal Parks and Recreation has decomposed into. Hell, if any other live-action sitcom mixed styles and mediums and genres like "History 101" in a single episode, I'd be damn impressed.

But without Dan Harmon, I'm still not sure it's Community.

Let me back up: Community was the best sitcom and one of the overall best shows of the last half-decade for two key reasons. The first, sexiest, most discussed reason was Harmon's willingness to experiment, commit to weirdness for whole episodes at a time, play with presentation and format and dive head-first into full-bore parodies of genres or of specific films or TV shows. And this yielded brilliance. If you know Community, you know the episodes. Action movies, Westerns, claymation, Glee, GoodfellasLaw & Order, My Dinner With Andre, classic video games, documentaries, Ken Burns, heists, zombies, multiple timelines, and bottle episodes were all subject to the Greendale treatment. Community had big brass balls and never played it safe.

But the second, less sexy, less discussed but equally important reason was its heart. I don't mean that in any cheesy, manufactured way – no one ever sang "Seasons of Love" in a nauseating attempt to make the audience cry (hear that, The Office?) – but it had rock-solid fundamentals in terms of characterization, relationships amidst the cast, and character development. Jeff, Britta, Troy, Abed, Annie, Shirley and Pierce were all funny, but they were never reduced to joke machines. (Chang sometimes was, admittedly.) Dan Harmon really, truly cared about the study group, and thus so did I. Jeff, Britta, and Abed in particular were largely sliced from his own personality.

(And the third reason, or what I'll call the second-and-a-half reason, is that oftentimes these two elements were mixed, with many of the biggest character developments occurring in the flashiest, most parodic episodes – Jeff and Britta consummating their relationship in "Modern Warfare," Troy becoming a man in "Epidemiology," Pierce's reckoning in "A Fistful of Paintballs," etc, though that's not immediately relevant to the rest of my point here.)

Community, at its best, managed to combine the ambition of Arrested Development and the committed weirdness of 30 Rock with the character development of The Office's prime years and the bighearted warmth of Parks and Recreation, all drenched in an extra coating of pop culture and seen through the eyes of a cocky prick protagonist with a heart of gold. Put simply, Community had great jokes, but it wasn't a show about jokes, or about references. It was about people.

And I'm not quite sure that's the case in "History 101."

Now, don't get me wrong, it's not like the episode just launches into Family Guy-style "Hey, you know this pop culture thing?" Its parodies of multi-camera sitcoms, Muppet Babies, and Inception are all rooted in Abed's fear of graduation and capped off with a Winger speech. But something does feel undeniably off without Dan Harmon's voice guiding it. The character Danny Pudi is playing looks like Abed, sounds like Abed, and walks and talks roughly like Abed, but I'm not quite sure it's Abed, just as I wasn't sure Lorelai was still Lorelai after Amy Sherman-Palladino left Gilmore Girls. Abed was so singularly driven by Harmon's own quirks and weirdnesses and obsessions that what's left is inevitably mimicry; cover artists doing their best to imitate the original.

But that isn't to say the journey through Abed's mind wasn't fairly clever and admirably weird. If anything I think that I would have liked to see this overstuffed episode – which in addition to Jeff and Abed's main stories also contained Troy and Britta's fountain date and Annie and Shirley's pranks, plus final scenes of the Dean moving next door to Jeff, a Chang cliffhanger and a tag – shed a couple minutes from its subplots and maybe insert another layer in between Abed's Happy Community College Show and Greendale Babies, to further reflect the many layers of Inception.

But on Jeff's side of things, there's no getting around the fact that every single Hunger Games reference made me cringe. Unlike Abed's stuff, those really were just references for the sake of references, the show gesticulating in the direction of the hot new thing going "This is what the kids like, right?!"

Now, if you ignore all that, Jeff's quest for seven red balls was mostly enjoyable, even if Jeff had the same disquieting not-quite-Jeffness about him as Abed's not-quite-Abedness. We got most of the show's recurring players in that half of the story, including some great Leonard gags and the welcome return of Annie Kim, who wants ice cream. But I would've vastly, vastly preferred the athletic competition sans Hunger Games references. (Granted, that's at least partially because I thought The Hunger Games was a pretty shitty movie and I'd rather not think about it when I don't have to, but still, I think less pop culture on Jeff's side of the narrative would have caused the pop culture-drenched Abed plot to pop more colorfully.)

I'm relieved that Community is still willing to be weird and do things that no other sitcom would even consider. Dan Harmon expanded the canvass, and the new showrunners have no plans to shrink it back down. "History 101" announced that assertively, and, as someone who likes my comedy clever and risky and doesn't watch most sitcoms because I find them bland as white rice, this pleases me.

But in the end, I really fucking wanted to see Harmon's vision for how these people's journeys turn out, and to hear them (especially Jeff and Abed, coincidentally this episode's two focal characters) speak Harmon's words. I suspect I'll still enjoy Community a lot on an episode-by-episode basis, but there's no getting around the fact that my ability to emotionally invest has been irreparably damaged by Harmon's dismissal, and even if Community runs six seasons and a movie, I don't think I'll ever get it back.

And so what we're left with is perhaps half the delicious vanilla-fudge swirl that was Community's mix of formal ambition and Dan Harmon's character work. And I am of course more than happy to eat that vanilla ice cream left behind (especially when 90-95% of other sitcoms on the air don't even reach the level of vanilla, most tasting a bit more of refuse and sewage), but after three seasons and 71 episodes of eating that vanilla-fudge, I do find something inescapably lacking.

I'm still looking forward to watching the study group's senior year. With 30 Rock ended, Louie off the air for 2013 and Parks and Rec not as good as it used to be, Community is still alpha dog of the sitcom pack, give or take a Bob's Burgers (and New Girl's last few episodes have been awfully good, though I'm still not sure I'd call them Community good.) But Community was my absolute #1 favorite show of 2012, and, were it not for Friday Night Lights, probably would've earned that distinction in 2011 and 2010 as well. And I don't think it can rise up to those heights again sans Harmon. That makes me quite sad.

Or, as Troy put it: "MY EMOTIONS! MY EMOTIONS!"