Best TV Episodes, December 2013

(I'm pretty burned out from the collective 14,557 words I wrote for my end-of-2013 lists over the last couple weeks, so I'm gonna keep this month's Best TV Episodes feature short and sweet. I know I said the same thing almost verbatim a year ago, but this time I really mean it! I just need a break from typing, you guys.)

10. Supernatural, Season 9 Episode 9 - "Holy Terror"

I've learned from perusing forums and Tumblr that a lot of Supernatural fans were less than thrilled with the Ezekiel-related shock twist at the end of this midseason finale. But what can I say? I dig it. I love when a show pulls the rug out from under me.

9. Arrow, Season 2 Episode 9 - "Three Ghosts"

Great, emotional, action-packed midseason finale with an awesome final reveal. Seeing Oliver Queen put on the proper Green Arrow mask for the first time gave goosebumps even to me, someone who never gave first fuck about the Green Arrow before watching this show.

8. Bob's Burgers, Season 4 Episode 7 - "Bob and Deliver"

Stories that put Tina and Bob Belcher together almost always delight, as do stories set at Wagstaff School, so making Bob the substitute teacher for Tina's cooking class was unsurprisingly funny and charming.

7. Scandal, Season 3 Episode 10 - "A Door Marked Exit"

This episode is almost entirely ranked this high for Papa Pope's "You are a boy!" monologue to Fitz. The rest of the episode was pretty good; not mind-blowing. But that monologue is some of my favorite TV dialogue of 2013.

6. American Dad, Season 9 Episode 8 - "Minstrel Krampus"

American Dad culled together lesser-known Christmas mythology, imagery and themes from Beauty and the Beast and Aladdin, and some good old climactic ultraviolence for what is probably my favorite explicitly Christmas-themed TV episode of 2013.

5. Awkward, Season 3 Episode 20 - "Who I Want to Be"

As a kinda-sorta series finale (Awkward is coming back next year, but showrunner Lauren Iungerich and her very idiosyncratic voice are out, sinking my enthusiasm for the show by about 95%), "Who I Want to Be" put a satisfying emotional button on three years of this warm, witty high school sitcom.

4. Homeland, Season 3 Episode 12 - "The Star"

I actually felt things – emotions, and all that! – during "The Star," which basically by default makes it the best hour of Homeland's third season. I also appreciate that it followed the season's story through to its only logical conclusion and didn't punk out like the show has in the past.

3. The Walking Dead, Season 4 Episode 8 - "Too Far Gone"

Oh, ok, so here's the awesome zombie spectacle the rest of America apparently sees in The Walking Dead every week as to make it TV's highest-rated scripted show, in the form of the big Team Rick vs. Governor battle we never got at the end of season 3. Now if I could only see The Walking Dead deliver such visceral thrills more than once a year. Baby steps!

2. Arrow, Season 2 Episode 8 - "The Scientist"

I put maybe sixty seconds of thought in my entire life towards the existence of superhero the Flash before watching "The Scientist," so it's a big compliment that I came out the other end a big and instant fan of Barry Allen, hopeful to see him more in Arrow in 2014 and already ready for next fall's Flash spinoff. Great, fun character.

1. American Dad, Season 9 Episode 6 - "Independent Movie"

I'll quote myself from my American Dad writeup a few days ago: "For the record, American Dad and Bob's Burgers were neck and neck in these rankings – the latter even a touch ahead – until Dad's December 1st episode "Independent Movie," a sendup of indie coming-of-age flicks and the Fox Searchlight formula that calls to mind Galaxy Quest and "Abed's Uncontrollable Christmas" in how note-perfect a spoof it is." Yep. That's pretty much it!

Best TV Episodes, November 2013

I'm gonna level with y'all straight up: Since I started doing these monthly Best TV Episodes lists, there has never been a single month I've had a harder time whittling down to just ten. As I type this, I'm staring at a list of over twenty episodes that aired last month and struggling to cut a single one. So I'm going to break protocol and do some (alphabetical, unranked) runners-up. I might also keep my episode blurbs a little on the short side, because I'm working on some other posts for December. I hope you'll forgive me my trespasses.

Runners-up:

• Almost Human, Season 1 Episode 3 - "Are You Receiving?"

Almost Human gets a thumbs up from me so far. I enjoy its Fringe-meets-Blade Runner-meets-Robocop vibe. This hostage thriller episode added Die Hard onto the list of influences, so no wonder I dig it.

• Arrow, Season 2 Episode 7 - "State v. Queen"

Seth Gabel returns as Count Vertigo, the most enjoyably over-the-top, Dark Knight Joker-esque villain in Arrow's rogues gallery. The episode's courtroom scenes weren't exactly the best, but I still enjoyed it on the strength of Vertigo and the final plot twist, which has far-reaching ramifications for the series.

• Awkward, Season 3 Episode 17 - "The Campaign Fail"

Protagonist Jenna Hamilton's face-heel turn provided MTV's high school sitcom with one of its stronger story arcs since season 1, but this episode, with her returning to good and seeking forgiveness from the friends and family she's wronged, is stronger still.

• New Girl, Season 3 Episode 8 - "Menus"

Not gonna lie; this episode is here almost exclusively for Nick's line "What's up, Jason Street?" to wheelchair Winston. That's literally all it takes to get me to love your show: Throw in a Friday Night Lights reference, win my undying allegiance.

• Revolution, Season 2 Episode 9 - "Everyone Says I Love You"

With the possible exception of The Newsroom, Revolution is easily 2013's most improved show. I'm actually enjoying it now, which is just crazy. This episode was pretty freakin' crazy too. Hopefully Revolution's upswing continues into 2014.

10. The Legend of Korra, Season 2 Episodes 13 & 14 - "Darkness Falls" & "Light in the Dark" (two-parter)

Much like season 1's closing moments, Korra season 2's climactic battle is way too reliant on magical deus ex machina to get the heroes out of the impossible corner the show has written them into. Let me put it this way: I was 100% digging the finale when it was doing its riff on Godzilla. When it turned into Pacific Rim, however, it got kind of absurd. Nevertheless, gripes aside, the action kicked ass and the animation was immensely beautiful. Still-human Unalaq in full Dark Avatar regalia was terrifying.

9. Supernatural, Season 9 Episode 7 - "Bad Boys"

This episode was just a great, nostalgic Supernatural throwback to the days of seasons 1 and 2. No demons, no angels, no heaven, no hell, not a single regular or recurring character save Sam and Dean; just a straight-up ghost story, salting and burning bones and all. It was like the Supernatural equivalent of going back and playing some NES. The good old days, baby.

8. Boardwalk Empire, Season 4 Episode 12 - "Farewell Daddy Blues"

Ok, I'm gonna potentially make a few enemies here: Outside of episodes 5 and 8, which I included in last month's roundup, I'm not sure I really loved this season of Boardwalk Empire. I still liked it, but didn't love it the way I did the last two years. It's still a beautiful and sometimes exciting show, but its rhythms have become immensely familiar. It's just not a show that truly challenges itself on fundamental levels. Ergo, I liked but didn't love its fourth season finale. It did include an amazing, brutal fight scene with Eli Thompson, but the episode's major character death felt sudden and unearned.

7. Scandal, Season 3 Episode 7 - "Everything's Coming Up Mellie"

This episode was just completely and utterly bug-nuts crazy from start to finish, which is the pitch Scandal operates best at. The flashbacks with First Lady Mellie Grant were crazy and went to a shockingly dark place. The present-day Quinn story went to a crazy, dark and blood-soaked place, too. The revelation about the Vice President's husband's sexuality was just the goofily wacky cherry on top. Shonda Rhimes deserves adulation for the way she keeps this show's pacing cranked to a perpetual 11.

6. Homeland, Season 3 Episode 9 - "One Last Time"

Oh hey Homeland! Pretty surprising to see you on this list - I thought you didn't come 'round these parts anymore! What "One Last Time" pulled off in its Brody story that the rest of Homeland season 3 has failed at is delivering a story with clean, coherent and immediate stakes. Even the Dana Brody scene in this episode was narratively relevant and emotionally affecting. That right there may be the single most shocking twist Homeland season 3 has pulled off to date.

5. Bob's Burgers, Season 4 Episode 5 - "Turkey in a Can"

After some episodes earlier this season with almost preposterously high, life-or-death stakes – namely "A River Runs Through Bob" and "Seaplane!" – for its Thanksgiving episode Bob's Burgers reclaimed greatness by returning the Belchers home and setting nearly every minute of the episode there. The concept here wasn't bottle episode, though, but "murder" mystery as Bob tries to track down who in the house ruined his Thanksgiving turkey. Both the jokes and the genre trappings worked completely. Great, fun episode.

4. The Legend of Korra, Season 2 Episode 10 - "A New Spiritual Age"

Korra and Jinora's journey into the Spirit World makes for one of the best episodes of Korra's second season, fully shedding all the techno/steampunk trappings that exist in Republic City and returning to true straight-up fantasy storytelling. The Avatar: The Last Airbender cameos were impossible not to delight at, and the spirits themselves ranged the gamut from adorable to majestic to terrifying. Awesome "Oh shit what happens next!"-inducing cliffhanger, too.

3. Parenthood, Season 5 Episode 9 - "Election Day"

I'm on record as being not exactly in love with Parenthood season 5's mayoral election subplot, but a huge part of that had to do with terror that the story was going to go in a direction it really shouldn't and Parenthood was suddenly going to become The West Wing-lite. Now that I know that wasn't their plan, I dislike it a lot less in retrospect, and its climactic episode "Election Day" was actually quite good. Even aside from Kristina, the Crosby and Max stories were both very funny, and Julia and Joel's story was quite harrowing in a "Mom and dad are fighting!" kind of way. Parenthood is ramping up to a strong finish for 2013.

2. Arrow, Season 2 Episode 5 - "League of Assassins"

Not merely continuing but intensifying and upping the stakes following the revelation of the Canary's identity in the previous episode, "League of Assassins" shows Arrow as the polished, height-of-its-powers badass weekly superhero flick it is. The clock tower action scene was just so cinematic and exciting, and even beyond the wicked fight choreography it was all rooted in character dynamics and high emotional stakes. That's exactly what genre TV at its best is all about and should aspire to. This episode also showed off what a strong character Quentin Lance has become. Once practically the Sheriff Lamb of Arrow, I now ache for his pain as much as anyone else on the show.

1. The Legend of Korra, Season 2 Episode 12 - "Harmonic Convergence"

Despite their identical #1 rankings on my Best TV Episodes lists, no, I do not think "Harmonic Convergence" is anywhere near as good as last month's "Beginnings," an installment that is honestly in contention as one of my favorite hours of TV ever. But that doesn't mean "Harmonic Convergence" didn't kick a lot of ass. The massive, epic plane action sequence as Team Avatar attempts to invade Unalaq's base and reach the southern spirit portal was one of those scenes that truly shows off the potential of animation (plus imagination, of course), and how as a medium it can do on television things that just can't be done in live action sans hundreds of millions of dollars. The episode's ending also deserves credit as arguably 2013's greatest "HOLY FUCKING SHIT I NEED THE NEXT EPISODE NOWWW!!!"-inducing TV cliffhanger.

Awkward launches its third season with bizarre pro-life moralizing

Season 3 Episode 1 - "Cha-cha-cha-changes"


First off, because much of the rest of what I'm about to type might make it seem otherwise, I'll stress that I generally really enjoy MTV's high school sitcom Awkward. I'd go so far as to label it one of the ten best live-action comedies on television. It's funny and massively energetic, with stronger characterization and continuity than all but a handful of other sitcoms, and creator/showrunner Lauren Iungerich writes with TV's most charmingly and authentically youthful voice. It's a very good show.

But all that said, its (again, otherwise really funny, with an awesome guest starring turn from Anthony Michael Hall) third season premiere... got weird. You see, protagonist Jenna Hamilton has her a bit of a pregnancy scare. Which is a typical enough plot for television, that's not the weird part. But before the end of the episode when she and her mom get up the guts to look at the pregnancy test together – which is negative – the option of abortion (which is never mentioned by name, it being too ghastly to even say out loud, I guess?) is twice referred to as "choosing death," and when Jenna's mom tells Jenna that she'll support her decision, Jenna looks at her mother and says "There is no decision, mom," and that if she is pregnant she has to have the baby.

Perhaps the weirdest part is that nothing else about Awkward has ever struck me as being politically conservative in the least. It's completely sympathetic to its gay characters and totally apathetic about teen girls having and enjoying sex (hell, it may even be in favor of it), and the very next episode after this premiere had Jenna going on birth control, when all true Republicans know that birth control pills are but little pieces of Satan. But in this case, it, perhaps befitting the network of Teen Mom and 16 and Pregnant, leaned hard right.

It was jarring and pretty weird and it made me uncomfortable, and I'd be lying if I said that I don't now think about it at least for a second every time I think of the show. I still think Awkward is funny, plan to keep watching until it ends or is canceled, and I think almost every live-action sitcom could learn a thing or two from its insanely high energy and snappy pacing. But, on some small level, it may always be the show that suddenly started reciting a pro-life pamphlet at me.

Returning Shows My Opinion Has Changed the Most on in 2012

Part of what makes television criticism livelier and in my opinion a bit more fun than film criticism is that it ain't static. A film, be it great, shit, or anything in between, is ultimately a completed work, a dead thing. Your opinion might shift gradually if you revisit it in years to come, but that's almost always a glacial process. A TV show on the other hand never stops moving and evolving, and you can find mild enthusiasm blooming into intense love or apathy curdling into hate very rapidly – or even enthusiasm into hate or apathy into love – and then back again within weeks. It's a veritable roller coaster of emotions.
It's in that spirit that I come to you in the waning weeks of 2012 to compare and contrast how I feel about shows today compared to how I felt about them on the cold dawn of January 1st. There are a number of shows that I like just a tiny bit more (Parenthood, Spartacus) or just a tiny bit less (Justified, Game of Thrones) than I did in 2011, but this is a space to explore the more dramatic shifts. Except for the top one or two, the rankings here are mostly pretty arbitrary, so don't take 'em too serious. I've color-coded my opinion shifts for maximum clarity: Blue indicates shows I like more now than I did in 2011, red shows I like less. Enough preamble, on to the fun:
10. New Girl (Fox)

Direction of shift: Mostly neutral to mostly positive

I kind of enjoyed New Girl's first half-season in 2011, but back then it it was just a sitcom, one with no real thematic ambitions beyond "here's some friends living in an apartment, laugh at their antics." Oh, and "adorkable." But in 2012, adorkability melted away to reveal a show that's a bit more interested in examining the psychological toil of turning 30 and realizing you've barely begun to accomplish. It even put out a near-great episode in "Injured," involving a cancer scare. It's not one of my favorite shows and probably never will be, but it's the only sitcom to have premiered in the last year and a half that I've stuck with beyond ten episodes, so kudos for that if nothing else.

9. Parks and Recreation (NBC)

Direction of shift: Very strongly positive to moderately positive

Now, I don't want to give the impression that I in any way dislike Parks and Recreation – it remains one of the three or four best live-action comedies on television, and it's in my top 20 shows of the year. But it is clear at this point that the near-perfect sixteen-episode third season was the pinnacle of the series, and while the show's 21 episodes this year have almost all been amusing, only five or six – most of them at the end of season 4's election arc – have been truly notable, with "Pawnee Commons" being the only episode this fall I've been particularly enthusiastic about. I still really like the show, but I'm not sure I love it anymore.

8. Awkward (MTV)

Direction of shift: Very positive to hesitantly positive

I wrote about a year ago that Awkward's highly entertaining debut season was "not necessarily doing anything that teen movies haven't been since the 80s, but it's an exercise in high school underdog formula executed with remarkably fresh, youthful, and sometimes cheerfully vulgar energy." And that was true! What I didn't mention was the love triangle involving lead character Jenna Hamilton that constituted a small part of season 1, because, frankly, I mostly forgot about it. Then in season 2, said love triangle suddenly became the entire show. It was all anyone talked about, ever, and it smothered everything else. I still like Awkward's vibe, performances, and dialogue, but I was not a fan of season 2's story at all.

7. The Walking Dead (AMC)

Direction of shift: Intensely negative to leaning positive

I didn't do a "top ten worst shows of 2011" list, but I can say without hyperbole that if I had, The Walking Dead would have been on it. The first half of season 2's farm arc was absolutely some of the worst, most aggressively boring, actually angering television I'd ever seen. I felt like a sucker for having ever said anything good about the show. The second half of season 2 was definitely a bit better, if still not exactly good, but after getting the fuck out of that farm season 3 has been a marked improvement. Still not masterpiece television, though it did put out a stellar episode in "Killer Within," and there's been more danger, excitement, and plot momentum in each episode this fall than the entire first half of season 2 combined. I'll shout it from the highest rooftops: I don't hate The Walking Dead anymore!

6. Archer (FX)

Direction of shift: Very strongly positive to mildly positive

I was on such an Archer high from having just watched its first two seasons in one long marathon that I actually put it on my top ten shows of 2011 (though in retrospect and having come down from my high, I probably should have gone with Fringe instead). In contrast, this year, the last four episodes of season 3 sat recorded and unwatched by me for two months. I continue to enjoy some of the goofy spy missions, H. Jon Benjamin's vocal performance as Sterling Archer, and the episode "Lo Scandalo" (and when I finally got around to watching the final episodes, I actually did really like the "Space Race" two-parter), but at a certain point the "the final line of this scene cleverly sounds like it's being responded to by the first line of the next scene" writing quirk really started to grate, and my spirit was worn down by the oppressive, joyless hostility between the characters.

5. American Horror Story (FX)

Direction of shift: A bit positive to strongly negative

This is definitely one of those "Am I living in the Twilight Zone?" situations for me. All through season 1, TV critics the internet over were just shitting on American Horror Story. Meanwhile, I dunno, I thought it was a pretty charming little haunted house story! It paired a streamlined, uncomplicated approach to narrative with a fun kitchen-sink approach to mythology, and a nice performance from Taissa Farmiga anchored it. And now, critics are unanimous that season 2, subtitled Asylum, is a huge improvement. And it's not! It's fucking not! The charm is utterly gone, I couldn't care less about any of the characters, and the plot and mythology are a garish mess, as boring as they are nonsensical. I've even seen this thing show up on top ten of 2012 lists! What the fuck are critics smoking? I feel like I'm losing my fucking mind over here!

4. American Dad! (Fox)

Direction of shift: Neutral/apathetic to highly positive

2012 is the year that I finally came around on Seth MacFarlane. Granted, part of that is due to liking Ted and an even bigger part to finally reaching a boiling point with all the dullard comedy hipsters who treat him as their religion's Satan and just wanting to disagree with them on anything purely out of principle, but the biggest part was getting into American Dad!.

I had written the show off after watching the so-so pilot back in 2005, but this year I finally checked out some more recent episodes and discovered that it's become a terrific comedy, with Steve Smith and Roger the Alien in particular being two of the greatest sitcom characters right now. Watching six seasons on Netflix this year was a tremendous treat that nourished my comedy appetite for months. It's certainly a more accomplished, creative, and enjoyable show about a government agent than Archer, even if Archer's lower budget and American Dad! being produced by their personal boogeyman means that comedy snobs will never admit it. I look forward to it with enthusiasm every week.

3. Homeland (Showtime)

Direction of shift: Extremely strongly positive to positive with qualifications

I wrote about this pretty recently, but Homeland has been... troubled this season. Not bad, mind you, as it continues to entertain, but it's pretty much shed all the subtlety, patience, and nuance that distinguished it last year, morphing from something that at its pinnacle approached being the war on terror's answer to what The Wire was to the war on drugs into 24 minus the real-time gimmick. It was art. Now it's pulp. And I can enjoy pulp! (Ask me my thoughts on John Carter sometime.) But I can't help but feel it's a betrayal.

2. Boss (Starz)

Direction of shift: Strongly positive to pretty darn negative

My glowing, positively effusive review of the pilot episode of Boss is very high up on the list of TV criticism I've written that I now cringe the most while rereading (see also the fact that I ever pretended Up All Night had potential). And it's not that the show even changed that much in 2012 – it continued to be theatrical, deeply, deeply cynical, and Kelsey Grammer continued to bring immense fire to the titular mayor of Chicago – but, at a certain point, Boss season 2 became damaging to my soul.

It wasn't even the fact that, in terms of a sense of humor, the show made grimfests like The Walking Dead, Game of Thrones and Homeland look like Friends, or the fact that the bad guys always won, as it was the fact that every single main character seemed to regard every other main character with pure, unbridled hatred – as nothing more than objects to be betrayed at exactly the right moment – and every main character save Sanaa Lathan's Mona Fredricks seemed to have nothing but pure evil in their hearts. It was the most joyless season of television I've ever seen. I came to hate watching it (not to be confused with hate-watching, which can be tremendous fun). I greeted Boss's cancellation with immense relief.

1. Bob's Burgers (Fox)

Direction of shift: Moderately negative to very, very strongly positive

You know that hypothetical list I just mentioned of TV criticism I've done that I now cringe to look at? Well, at the very top of that list would be my dismissal of Bob's Burgers from January 2011. I come before you today, metaphorical hat in hand, to offer a mea culpa for anything and everything bad I ever said about Bob's Burgers. I could not have been more wrong. Bob's Burgers is tremendous, tremendous fun, and between "Burgerboss," "Bob Day Afternoon," "Moody Foodie," "Bad Tina," "Full Bars," "The Deepening," and "Tina-Rannosaurus Wrecks," it's responsible for almost every one of my favorite non-Community half hours of comedy to air on television this year. I'll stop here because I'd like to do a full-length essay on it at some point, but Bob's Burgers is one of the best shows on TV. I love, love, love it.