Showing posts with label nbc. Show all posts
Showing posts with label nbc. Show all posts

Monday, January 6, 2014

Community is back – for real this time

Season 5 Episodes 1 & 2 – "Repilot" and "Introduction to Teaching"


Other than belonging to the same series, there's exactly one thing I see in common between Community's fourth and fifth season premieres, "History 101" and "Repilot": You can see the sweat on their brows. Some Community episodes have a relaxed, easygoing vibe to them – and plenty of entire sitcoms, including most of TV's highest-rated, are always relaxed and easygoing – but sometimes Community is working really, really hard, and both of these episodes fall in the latter category.

Difference is that in the fourth season premiere, with Dan Harmon in the wind, the new producers were working hard at proving Community was still Community by throwing as much of what they saw as "Community-type stuff" at the screen as possible: An extended Hunger Games spoof, an extended Inception spoof, an animated Muppet Babies spoof, a laugh track-scored multicamera sitcom spoof, and lots of Community recurring characters and catchphrases, all layered in on each other and crammed into 22 minutes. And whatever your stance on "History 101" – I neither hated nor loved it – no one can deny that Guarascio and Port were working incredibly hard to placate the fanbase and assure them that Community hadn't gone mainstream.

(Whether they were still working hard by the time "Advanced Introduction to Finality" rolled around is a whole different thing, and based on the evidence my theory would have to be "No.")

"Repilot" is also clearly the end result of dozens of rewrites, but otherwise exactly the opposite: A quasi-bottle episode set mostly around the study room table; one of the quietest, most down-to-earth, low-key and purely emotionally-driven of Community's 86 episodes to date. It has jokes, but they all stem from dialogue and character give or take a robot fight and table bursting aflame, and pop culture references, but no outright spoof (unless you count the perfectly-placed Zach Braff Scrubs voiceover narration at the end). Like Guarascio and Port, Dan Harmon is here to prove that Community is still Community, but rather than with wackiness, he's doing so through character and emotion – which ultimately proves superior.

Where all the effort comes in is right there in the title; in the repiloting. In introducing a whole new premise and status quo and new and surprisingly dark and despairing beginnings for these characters to relaunch from. The episode feels subdued, but under the surface there's a million engine parts cranking as the show bends over backwards to get the Greendale Seven Six home in 22 minutes without it being stupid as hell. And it would have been a real episode-killer for me and weak, uncompelling writing if the study group had returned to Greendale for no other reason than that they missed it and loved each other.

But that's why the lawsuit concept Harmon has come up with is great: Though Jeff Winger now loves these people, the lawsuit allows him to nevertheless again become the deceptive snake in the grass trying to get something from them he was way back in the show's original pilot. It tears at these people's bonds and threatens the school's very existence not with paintball war or zombies but with a piece of paper. In a word, stakes, something Harmon has always excelled at. So when the study group finally comes together and builds Table Mk II, it really means something, as Jeff, Britta, Troy, Annie, Abed and Shirley have made it through a gauntlet of real emotional darkness.

When you've accomplished that much in your plotting and character work and emotion, the fact that "Repilot" is also stuffed full of funny jokes and quotes and has a Pierce Hawthorne cameo is just kinda icing on the cake. It's not quite season 2's "Anthropology 101" (for my money, damn near the best season premiere for a live-action sitcom ever), but it's a damn good episode of Community.

Season 5's second outing, "Introduction to Teaching," also has a bit of work to do in its introduction of criminology professor Buzz Hickey, played by Breaking Bad's Jonathan Banks. And it does it well, establishing Buzz's intimidating exterior, uncertain/aspiring cartoonist interior and new place in the group quickly, efficiently and entertainingly, straight through to the simultaneously dark and goofily hilarious end tag. The fact that Banks proves an instantly great sitcom actor – something not necessarily true of every badass guest from dramatic cable TV Community has brought in – sure helps too.

But beyond that splash of laying the groundwork – certainly less intense than "Repilot" in that regard – "Introduction to Teaching" is Dan Harmon proving that he can still do a relaxed, easy-viewing half-hour about Greendale antics and classroom shenanigans and wacky teachers and pop culture discussion without any high concept or needing to spoof anything. It's totally in the spirit of season 1 episodes like "Beginner Pottery" and "Physical Education" or season 2's "Competitive Wine Tasting." And, after a near-complete lack of classroom antics in season 4 (the history class in "Alternative History of the German Invasion" and the physical education education in "Economics of Marine Biology" are all I can come up with, and neither of those stories were that great), it's a nice skin to see Community back in.

When Community draws to its end, neither "Repilot" or "Introduction to Teaching" are likely to top many people's best-of lists (though "Repilot" probably deserves to be high up on a most-important list), but I loved them all the same because the show's voice is back. The rhythms of the jokes and dialogue and editing are back. Jeff's cockiness and Abed's references feel like they used to again. Annie is once again a driven go-getter and not just Jeff's romantic interest. Without Dan Harmon, Community was an ice cream sundae minus the ice cream – the cherries and syrup and sprinkles and nuts may taste good, but they aren't why anyone ordered the damn thing. And with Community's feet back under it, I look forward to seeing what strange and compelling new ice cream flavors Harmon can show us next.

Odds and ends:

• One thing I'm not sure I liked? Shirley having lost her job, her husband, her kids and her dreams (and 166 episodes of Bones) in the space between seasons 4 and 5. I'm all for emotional stakes, but... christ. That is really, really dark. Like, that's genuinely upsetting stuff. Maybe it should just have been Shirley's Sandwiches failing?

• I'm curious to see if the story with the collapsing bridge and Marvin Humphries and the lawsuit against Greendale is over and done with or if it comes up again later this season. It does seem like kind of a big deal, and could serve as a way to tie the season together.

• I admired the cinematography here, with the moody, almost dramatic-television lighting of "Repilot" reflecting the character's emotional states and giving way to something brighter and cheerier in "Introduction to Teaching." (Also on the visual front, I liked the wide, long establishing shot of the entire campus after the credits in "Repilot." It was a breath of fresh air after the claustrophobic "Advanced Introduction to Finality.")

• For the record, Adaptation pushes me just over into the "good" column in the Nicolas Cage debate. Without that movie I'd probably be just as confused as Abed. Adaptation or no, nothing changes the fact that Knowing is one of the very worst movies I've seen in a theater in the last five years.

Favorite line: In "Repilot," Annie and Britta's exchange: "At least the drugs I sell don't get slurped out of my belly button!" "THAT'S ONLY ON TUMMY TUESDAYS!" In "Introduction to Teaching," Buzz Hickey to Leonard: "Go and get your earring, you piece of human garbage." However, my all-around favorite joke was not a line, but the visual gag of Table Mk II getting an F in birdhouse class.

Saturday, January 4, 2014

Greendale Is Where Tim Belongs, Episode 1/2: "Repilot" & "Introduction to Teaching"


Welcome back Human Beings! Today I'm launching a new podcast, Greendale Is Where Tim Belongs, a weekly audio review of Community season 5 starting with Thursday's two-episode premiere event, "Repilot" and "Introduction to Teaching." This is my first attempt at reviewing a half-hour sitcom in the audio format, so pardons if this debut outing is a tad rough and recap-y. Thankfully, Greendale accepts us and our podcasts, flaws and all.

Greendale Is Where Tim Belongs, Episode 1/2: "Repilot" and "Introduction to Teaching"

Saturday, December 7, 2013

Tim's TV Talk Podcast, Episode 10: Korrahood (aka Bring On the Cheese!)


Fans of both action-adventure fantasy cartoons and bighearted family dramas should be in heaven this week as Tim's TV Talk Podcast returns to discuss The Legend of Korra's second season finale arc and Parenthood's fifth season thus far. Fans of just one may not be in heaven, but since the timecodes below will help you skip to your show, that's at least worth a solid purgatory. Fans of neither, I'm sad to report, now languish in hell.

There's a 99% chance this will be the last "regular" installment of Tim's TV Talk Podcast this year, and I'm pleased I was able to hit the nice round number of ten episodes (and, for the record, the most discussed shows this year were Spartacus and Parenthood at two podcasts each, The Legend of Korra with three and finally Hannibal with a remarkable four). There was also one episode of Tim's TV Talk Drunkcast, and, well... stay tuned for one final podcast this year, hopefully by the end of next week. I'll leave it at that.

Enough foreplay. On with the show!

Podcast timecodes:

Intro - 0:00 - 0:55

The Legend of Korra - 0:55 - 19:25 (spoilers through season 2 finale)

Parenthood - 19:25 - 39:22 (spoilers through season 5 episode 9)

End - 39:22 - end

Wednesday, October 30, 2013

Tim's TV Talk Podcast, Episode 9: Reign of the Legend of Sleepy Parenthorror Story


We got a real smorgasbord on this here Tim's TV Talk. From medieval tween soaps to future M. Night Shyamalan source material to the joyful butchery of Washington Irving to the Braverman clan to witches and voodoo and minotaurs, this hour-plus podcast's got it all. We even take brief sidebars for reviews of The Michael J. Fox Show and the Carrie remake, a move so bold and ballsy no other podcast would even dare attempt it. Go forth, brave listeners, and hear opinions about TV shows!

Podcast timecodes:

Reign - 0:00 - 7:30 (spoilers through episode 2)

The Legend of Korra - 7:30 - 19:50 (spoilers through season 2 episode 8)

Sleepy Hollow - 19:50 - 26:10 (spoilers through episode 5)

Parenthood - 26:10 - 48:05 (spoilers through season 5 episode 5)

The Michael J. Fox Show - 48:05 - 50:08

American Horror Story: Coven - 50:08 - 1:02:20 (spoilers through episode 3)

Carrie (2013) - 1:02:20 - 1:09:07 (spoilers)

End - 1:09:07 - end

Tim's TV Talk Podcast, Episode 9: Reign of the Legend of Sleepy Parenthorror Story

Monday, June 24, 2013

Tim's TV Talk Podcast, Episode 7: Hannibal Supreme


We've braved mushroom people, immolation, corpse totems, throat violins, mental breakdowns and many disturbingly delicious-looking cannibalistic dishes, and the first season of NBC's Hannibal has come to a triumphant close. Now let's make like those relatively anonymous lab techs and have us a post-mortem. Spoilers, spoilers, spoilers galore, so watch before you listen, lest you spoil your supper. Bon appétit.

Tim's TV Talk Podcast, Episode 7: Hannibal Supreme

Tuesday, June 4, 2013

Last week – the best TV news week ever?


About five weeks back when I discussed Parenthood's renewal for a 22-episode fifth season, I opined that one of the few pieces of TV news that could have possibly made me happier was Dan Harmon being rehired on Community. That I mentioned this directly alongside the possibility of a time traveler coming back to tell me that George R.R. Martin releases his novels fast enough for Game of Thrones to finish properly should indicate how little I actually believed this would ever happen.

Barring Friday Night Lights and ignoring its sans-Harmon fourth season (which had its high points, but a largely mediocre final arc that crashed and burned with a disastrous finale that's easily the worst episode of the series), Community is the best TV show to air episodes in the last five years. That's opinion, of course, but it's the correct opinion, and certainly no one but contrarians worthy of no thought beyond that needed to roll your eyes can deny the sheer bounty of ambition and creativity that poured forth from this amazing show under Dan Harmon. Frankly, I'll be a little surprised if we see a live-action sitcom season as singularly imaginative as Community season 2 again in my lifetime.

But more important than the formal experimentalism of Community – which season 4 tried without Harmon, and did an ok job with from time to time, but it really, really wasn't the same – this means we'll finally get these characters back on the paths of the emotional journeys their creator intended them to take. Except for Pierce, anyway, but the real Jeff and Britta and Troy and Abed and Annie and Shirley are back, baby. They're fucking back.

So yeah, I'm happy. I'm modulating here, because the sheer extent of how deliriously fucking joyful I am that I'm going to get my favorite TV show back (keeping in mind that I don't consider season 4 the same show) can't really be overstated. Just a few weeks ago I was terrified and depressed that the dreadful "Advanced Introduction to Finality" might be the series finale of Community. And now Dan Harmon is going to get to write the series finale of Community. What the fuck could be better than that?


The answer is nothing, of course. But you know what's a damn close second? The renewal of the spectacular work of horrific televised art that is Bryan Fuller's Hannibal; a vote of confidence for great storytelling in defiance of its mediocre-to-poor ratings. Hannibal isn't just good, it's utterly fantastic. As of this point in its season it's the best debut season for any TV drama since Game of Thrones in 2011 and the best debut season for a network drama since Friday Night Lights in 2006.

Barring Bunheads and The Legend of Korra, it makes me want to go back and reedit just about every positive review I gave a new series in the last two years, because it makes me realize I was faking that positivity all along. Because here is actual bona fide great fucking television worthy of true, unfettered enthusiasm.

And NBC renewed it, and we're going to get to watch this awesome show again come 2014. With Bunheads probably canceled at this point, this is the welcome renewal news I needed to keep going with this whole "being a fan of TV the medium" thing.

(Want to literally hear more on what I have to say on Hannibal? You're in luck, because I already have three podcasts on the topic, with a fourth on the way! Here, here and here. I'd advise one at a time, but if you can listen to three at once like some kind of multitasking beast, hey, rock on. Rock on.)

Dan Harmon rehired on Community, Hannibal renewed against all odds, Parenthood coming back for its fifth (and second full-length) season... What are these feelings I'm feeling towards NBC? It's not like envy, or even hungry... It's like my heart is getting hard.

Saturday, May 25, 2013

Tim's TV Talk Podcast, Episode 6: Hannibal Ketchup


This week on the ol' Tim's TV Talk Podcast we play catch up and talk about the last three episodes of NBC's Hannibal: Episode 7, "Sorbet" (aka the dinner party episode), episode 8, "Fromage" (aka the Cello Man episode), and episode 9, "Trou Normand" (aka the corpse totem/Abigail Hobbs episode). Spoilers for the first nine episodes of Hannibal, duh! And profanity and graphic violence! Yeah, this is one intense podcast. Can you handle it?

Tim's TV Talk Podcast, Episode 6: Hannibal Ketchup

Sunday, May 5, 2013

Tim's TV Talk Podcast, Episode 4: Hannibal Episode 6 ("Entree") Review


Here's a 13-minute podcast review of the sixth episode of Hannibal (or fifth, if you don't count episode 4, "Œuf," which was pulled in America). Hannibal spoilers up through this episode, of course. Bon appétit.

Thursday, May 2, 2013

Tim's TV Talk Podcast, Episode 3: The Following & Hannibal


We got a serial killer double-feature this week on the Tim's TV Talk Podcast as we discuss network TV's two murderiest new shows, Fox's The Following and NBC's Hannibal. Spoilers for the entire first season of The Following and for Hannibal up through episode 5, "Coquilles."

Friday, April 26, 2013

Parenthood renewed for season 5!


It's not my intention to do news updates here on a regular basis, but there was no way I couldn't mention today's renewal of NBC's Parenthood for a fifth season of 22 episodes. The show is one of my favorite on television and it's arguably gotten better every season, so I'm happy. In fact, barring Dan Harmon being rehired on Community, a premiere date for Steven DeKnight's Incursion or a time traveler from the future telling me that George R.R. Martin finishes his books in time to end Game of Thrones properly, there's probably no piece of television news that could've made me happier right now.

It's no surprise, of course, with Parenthood rising to the surface amidst NBC's ratings apocalypse – it's actually capable of hitting a 2.0 in the 18-49 demo without a lead-in from The Voice, which on NBC in 2013 pretty much makes it a hit by default – but what is a pleasant surprise is it being given a full 22 episodes for the first time since season 2 (season 3 had 18 episodes, season 4 had 15). This makes business sense, seeing as NBC shortened this last season to allow the much higher-budgeted Smash to take its place, only for that show to come back to catastrophic ratings before getting shunted to Saturdays and unceremoniously canned. Someone at NBC seems to have finally woken up and said, hey, maybe we should stick with this thing that, by our standards, actually works!

But it also makes creative sense. I'm normally in favor of shorter TV seasons – especially for shows that rely on fast pacing and life-or-death stakes – but Parenthood boss (and former Friday Night Lights boss) Jason Katims is one of the few drama showrunners I trust to make any length work. Parenthood's relatively low stakes make it the perfect show to take things at a leisurely pace and explore various subplots and secondary characters (and there's a lot of characters, as you can see pictured above).

So, yeah. I'm deeply pleased. And if you're uninitiated, now's the perfect time for you to hop onto Netflix and watch all the Parenthood they have available (unless you still haven't seen Katims' last show Friday Night Lights, in which case you should watch that first, then Parenthood).

Friday, April 5, 2013

Community season 4 produces its first bona fide great episode

Season 4 Episode 8 - "Herstory of Dance"


Watching the sweet, simple and almost shockingly enjoyable eighth episode of nuCommunity – not only easily the best of Guarascio and Port's Community but one I'd rank over a solid dozen or so episodes of Dan Harmon's Community – it occurred to me that the best thing Community's new guard can do (or rather should have done, since this whole season's been in the can for months) is stick to the sitcom basics. Be funny, be nice, draw story from character. It's simple, and, as "Herstory of Dance" shows, it works.

Now, don't get me wrong – I'm in no way advocating that Community morph itself into According to Jim. Or, to be less hyperbolic, even into Scrubs or Ben and Kate. Community should absolutely and always maintain its pop culture-infused tone and vibe, something that's been with it since Abed launched into a Breakfast Club monologue fifteen minutes into the pilot, and "Herstory of Dance" absolutely does. Abed's story, where he's not aggrieved but delighted to find himself reenacting a classic trope when he finds himself on two dates at once, is pure sitcom self-commentary, and Britta's whole Sophie B. Hawkins story is basically one long music reference.

But what made it work in a way that surpassed the Doctor Who/Inspector Spacetime jokes from "Conventions of Space and Time" or the Shawshank jokes from "Cooperative Escapism in Familial Relations" or the Changnesia documentary from "Advanced Documentary Filmmaking" is just how strongly every inch of it was rooted in character. Abed's internal fight between maturing and falling back on his love of sitcom tropes really let both the character work and pop culture references roll, and Britta's stubborn refusal to acknowledge that she'd accidentally said "Sophie B. Hawkins" rather than "Susan B. Anthony" even as things began to get out of hand was such a great distillation of Britta down to her sweet, clumsy and well-meaning if overly out-to-prove-something best.

Props should also go to Brie Larson's guest spot as Abed's new love interest Rachel. She was great in Scott Pilgrim and 21 Jump Street and I've heard good things about her in the upcoming dramas The Spectacular Now and Short Term 12, and in this episode she demonstrated within seconds the immediate, can't-take-your-eyes-off-her charisma of a rapidly rising movie star. In her hands, Rachel was a real character as opposed to walking romcom trope.

Also, can I just say that this episode's deeply warm, humane ending was just a couple minutes of great, great television? Community has of course always been a show of happy endings. In sharp contrast to, say, Arrested Development or It's Always Sunny in Philadelphia, one of its signature elements is that it pretty much always brings episodes to some form of sweet, victorious resolution for our heroes, and in the few cases where it doesn't ("For a Few Paintballs More," "Digital Exploration of Interior Design") it's pretty much always part of the plot and continued on into the next episode, which then resolves last's episode's downer ending sweetly.

But even in that context, the final minutes of "Herstory of Dance," where Abed reconnects with Rachel and especially where Jeff sends his text redefining what it means to "Britta" it, evoked shades of some of the show's all-time best episode endings and were up there with bits of Bunheads and Parenthood as being among the most sincere, heartfelt and genuine TV of 2013. They weren't really "funny," per se, but when TV makes you feel so unreservedly good, that's ok. Tears damn near came to my eyes.

But there were some solid laughs, too, from the Dean's black and white costume to Troy's fake mustache and longing for wacky ice to YouTube celebrity Wendy McColm as Abed's manic pixie dream girl date. Granted, it wasn't as nearly funny as Community as its Dungeons-&-Dragoning, guard-chloroforming, insane-asylum-cutawaying very best, but not many things ever committed to screen are, so that's a ludicrous standard to hold it to. It was a damn funny episode that made me laugh a lot, and, even more importantly, made me feel content and happy, and I'd say that gets the job done.

Kudos to Gillian Jacobs and Danny Pudi and Brie Larson, kudos to episode writer Jack Kukoda (a former scribe for The Onion's videos, new to Community season 4) and kudos to the new guard for producing what is, ignoring Bob's Burgers and the ending stretch of 30 Rock, 2013's best half-hour of TV comedy to date.

Saturday, February 23, 2013

Parks and Recreation forces sugar and Jamm down our throats, demands we like it

Season 5 Episode 14 - "Leslie and Ben"


If the show realizing it didn't need to write Leslie Knope as a female Michael Scott was the thing that salvaged Parks and Recreation in season 2 then propelled it to greatness in season 3, its writers falling completely, desperately, pathetically in love with her and making her into a flawless living saint is the thing that caused things to get a little stale in season 4 and now actively rotten throughout much of season 5. It's the difference between loving someone and building a shrine to them. One's nice. One's weird.

But it's done, and a show that was once about likable bureaucratic underdogs scraping by in life has somehow become the chronicle of Leslie Knope fighting evil and saving the goddamn world. And in that spirit, "Leslie and Ben" felt like the logical climax to a show that has completely bought into its own hype, which is no more apparent than in what this episode does with perpetually awful villain Councilman Jamm.

Now, Jamm ain't Parks' first antagonist. Leslie has tangled with the likes of Joan Callamezzo and Bobby Newport before, but the show always made it clear these people had lives and careers and goals that existed entirely separate from her and the Parks department. (In fact, with Kathryn Hahn's great season 4 antagonist Jennifer Barkley, Parks gave the impression she didn't think about Leslie much at all, which may have ultimately cost her the election.) Even perpetually nasty right-wing social advocate Marcia Langman was at least theoretically driven by her interpretation of Christian values.

But now we have Councilman Jamm, a character who exists entirely to try and thwart Leslie Knope's unfathomable, heaven-sent goodness. Trying to stop her every benevolent act and bring evil to Pawnee seems to be his only meaning, only goal, only purpose in life (and of course we know everything he supports is evil on account of it not matching the perfect Leslie's agenda). It feels like Parks and Rec has manifested a critic of itself and put him in Pawnee to be defeated every couple weeks, sorta like what M. Night Shyamalan did in Lady in the Water.

And never was this clearer than at Leslie and Ben's wedding when Jamm – who, by the way, entered the episode declaring through a megaphone that "PARKS ARE STUPID!" – ruined the wedding bellowing at Leslie that he would've gotten away with his evil plan to make lots of money if it weren't for her meddling, then literally started throwing stink bombs until Ron Swanson punched him out.

I was stunned. I couldn't believe it. Honestly, they took it this far – they really should have just taken the last couple steps and had Jamm actually shout "PARKS AND RECREATION SUCKS!", then had the wedding crowd burst into spontaneous applause upon Ron decking him. You're 90% of the way there, Parks, just take it home.

But it's fine: Evil is defeated, Leslie and Ben make it back to the Parks office and recite their very generically "TV emotional" vows to each other (set to a cheesy montage of black and white flashbacks of their relationship that had me cringing), and now they're married. I wasn't just blown away by Monica and Chandler's wedding in Friends season 7, but I definitely think it was a more accomplished episode of television than this.

What's weird is that this isn't the first surprise wedding Parks and Rec has done. In fact, the show's all-time best episode, season 3's brilliant "Andy and April's Fancy Party," was centered around more or less the same damn premise. But "Leslie and Ben" is very much the Spider-Man 3 to that episode's Spider-Man 2; not as funny, more cloying than sweet and smugly convinced of its own greatness where "Fancy Party" was warm and inviting. Mandatory and smelling of television where that episode felt surprising and vital.

It's worth capping this off by noting that the next episode, "Correspondents' Lunch," which immediately followed, got back to the business of being funny and actually did a pretty good job at it. But as NBC clearly regarded the wedding as the piece de resistance of Thursday evening, it's the one that goes under the microscope. Let's just hope Parks got the treacle out of its system and the show is more "Correspondents' Lunch" and less "Leslie and Ben" going forward.

Friday, February 22, 2013

Community settles into its new groove in a mostly enjoyable half hour

Season 4 Episode 3 - "Conventions of Space and Time"


Three episodes in and I feel I've essentially locked into nuCommunity's wavelength. And no, it's not a wavelength that grabs me nearly the same way the first three seasons did – but Dan Harmon's Community was, save Arrested Development, Friday Night Lights and the early seasons of Lost (shudder), probably the most fanatically, religiously obsessed I've ever been with a TV show, so holding it to that standard was a lost cause from the beginning.

Dan Harmon's Community thrummed with greatness and felt electric and alive and exciting like few other shows in history, expanding the canvas of TV comedy and walking a dangerous experimental tightrope with a cocky smile plastered across its face. David Guarascio and Moses Port's Community is a solid little sitcom. It's not the same. But it's not bad.

First things first, literally, with "Conventions of Space and Time": Loved the cold open. I don't have any profound investment in Troy and Britta as a couple, but everything about Britta's acrobatic escape from Troy's bedroom and looping back around to the apartment with ceiling-stashed donuts felt lively and fun in a way few sitcoms often do.

And everything after that with Abed and Troy and Britta and villain-of-the-week Toby was pretty amusing (though I understand how it could've been a nightmare for those sick of Inspector Spacetime). I especially enjoyed Abed's Winger speech impression, as Danny Pudi has always done hilarious imitations of his fellow cast members ("I like football, but also, I don't?"). And Britta's loving-yet-firm "I don't care about Inspector Spacetime" to Troy was a pretty good way for Community to wink at the show-within-the-show's obvious inanity while continuing to use it as its go-to geek franchise.

Now, as I mentioned when discussing "History 101" a couple weeks back, the replacement of Dan Harmon makes it very, very hard for me to emotionally invest in these characters the way I used to. (Which, mind you, is not the same thing as being unable to narratively or comedically invest in them.) Some might argue that's me letting behind-the-scenes drama color my perception of what's actually on the screen in front of me, and, hell, they may not be entirely wrong. But it is what it is, and what's this blog for if not being upfront about how I feel?

And this may be why Annie and Jeff's story, which seemed reverse-engineered around getting them together on the couch having a warm heart-to-heart at episode's end, was largely a miss for me, and may be the weakest non-Hunger Deans plot of the season thus far. It had a couple funny gags, but ultimately relied on touching a place in my heart that blackened and died the moment Dan Harmon was fired.

On the other hand, Pierce and Shirley's story, which I initially felt uncertain of, ended up proving worthwhile setup for the tag punchline with Abed's reaction to the American Inspector and his blonde, racket-wielding Constable. (And by the way, Community, if you ever do a "Save Our Bluths"-type episode satirizing the show's sagging ratings and don't have Quendra appear carrying a tennis racket, you done fucked up.)

So what we're left with is a sitcom that is no longer my favorite on television – that would now be Bob's Burgers – but still makes the top two or three and I wouldn't call any worse than, say, new Futurama, or Parks and Rec season 4, or some of the middle seasons of 30 Rock. It's no longer a work of auteur-driven brilliance. But it's got a great cast and a fun tone and a lot of color and still maybe my favorite sitcom musical score of all time from Ludwig Goransson. And that's that, so, barring anything else I just have to talk about right then, this will probably be the last time I check in on Community for a couple months. E Pluribus Anus.

Saturday, February 9, 2013

Community Is Community, But Also, It's Not?

Season 4 Episode 1 - "History 101"


I need help reacting to something.

I find myself dizzyingly mixed on Community's fourth season premiere, "History 101." It's not that I didn't laugh a number of times. It's not that I didn't find the episode's final act clever, especially the "Aha!" moment where it becomes clear that we're watching an Inception parody. It's not that I didn't find it far more memorable than the blandly pleasant oatmeal Parks and Recreation has decomposed into. Hell, if any other live-action sitcom mixed styles and mediums and genres like "History 101" in a single episode, I'd be damn impressed.

But without Dan Harmon, I'm still not sure it's Community.

Let me back up: Community was the best sitcom and one of the overall best shows of the last half-decade for two key reasons. The first, sexiest, most discussed reason was Harmon's willingness to experiment, commit to weirdness for whole episodes at a time, play with presentation and format and dive head-first into full-bore parodies of genres or of specific films or TV shows. And this yielded brilliance. If you know Community, you know the episodes. Action movies, Westerns, claymation, Glee, GoodfellasLaw & Order, My Dinner With Andre, classic video games, documentaries, Ken Burns, heists, zombies, multiple timelines, and bottle episodes were all subject to the Greendale treatment. Community had big brass balls and never played it safe.

But the second, less sexy, less discussed but equally important reason was its heart. I don't mean that in any cheesy, manufactured way – no one ever sang "Seasons of Love" in a nauseating attempt to make the audience cry (hear that, The Office?) – but it had rock-solid fundamentals in terms of characterization, relationships amidst the cast, and character development. Jeff, Britta, Troy, Abed, Annie, Shirley and Pierce were all funny, but they were never reduced to joke machines. (Chang sometimes was, admittedly.) Dan Harmon really, truly cared about the study group, and thus so did I. Jeff, Britta, and Abed in particular were largely sliced from his own personality.

(And the third reason, or what I'll call the second-and-a-half reason, is that oftentimes these two elements were mixed, with many of the biggest character developments occurring in the flashiest, most parodic episodes – Jeff and Britta consummating their relationship in "Modern Warfare," Troy becoming a man in "Epidemiology," Pierce's reckoning in "A Fistful of Paintballs," etc, though that's not immediately relevant to the rest of my point here.)

Community, at its best, managed to combine the ambition of Arrested Development and the committed weirdness of 30 Rock with the character development of The Office's prime years and the bighearted warmth of Parks and Recreation, all drenched in an extra coating of pop culture and seen through the eyes of a cocky prick protagonist with a heart of gold. Put simply, Community had great jokes, but it wasn't a show about jokes, or about references. It was about people.

And I'm not quite sure that's the case in "History 101."

Now, don't get me wrong, it's not like the episode just launches into Family Guy-style "Hey, you know this pop culture thing?" Its parodies of multi-camera sitcoms, Muppet Babies, and Inception are all rooted in Abed's fear of graduation and capped off with a Winger speech. But something does feel undeniably off without Dan Harmon's voice guiding it. The character Danny Pudi is playing looks like Abed, sounds like Abed, and walks and talks roughly like Abed, but I'm not quite sure it's Abed, just as I wasn't sure Lorelai was still Lorelai after Amy Sherman-Palladino left Gilmore Girls. Abed was so singularly driven by Harmon's own quirks and weirdnesses and obsessions that what's left is inevitably mimicry; cover artists doing their best to imitate the original.

But that isn't to say the journey through Abed's mind wasn't fairly clever and admirably weird. If anything I think that I would have liked to see this overstuffed episode – which in addition to Jeff and Abed's main stories also contained Troy and Britta's fountain date and Annie and Shirley's pranks, plus final scenes of the Dean moving next door to Jeff, a Chang cliffhanger and a tag – shed a couple minutes from its subplots and maybe insert another layer in between Abed's Happy Community College Show and Greendale Babies, to further reflect the many layers of Inception.

But on Jeff's side of things, there's no getting around the fact that every single Hunger Games reference made me cringe. Unlike Abed's stuff, those really were just references for the sake of references, the show gesticulating in the direction of the hot new thing going "This is what the kids like, right?!"

Now, if you ignore all that, Jeff's quest for seven red balls was mostly enjoyable, even if Jeff had the same disquieting not-quite-Jeffness about him as Abed's not-quite-Abedness. We got most of the show's recurring players in that half of the story, including some great Leonard gags and the welcome return of Annie Kim, who wants ice cream. But I would've vastly, vastly preferred the athletic competition sans Hunger Games references. (Granted, that's at least partially because I thought The Hunger Games was a pretty shitty movie and I'd rather not think about it when I don't have to, but still, I think less pop culture on Jeff's side of the narrative would have caused the pop culture-drenched Abed plot to pop more colorfully.)

I'm relieved that Community is still willing to be weird and do things that no other sitcom would even consider. Dan Harmon expanded the canvass, and the new showrunners have no plans to shrink it back down. "History 101" announced that assertively, and, as someone who likes my comedy clever and risky and doesn't watch most sitcoms because I find them bland as white rice, this pleases me.

But in the end, I really fucking wanted to see Harmon's vision for how these people's journeys turn out, and to hear them (especially Jeff and Abed, coincidentally this episode's two focal characters) speak Harmon's words. I suspect I'll still enjoy Community a lot on an episode-by-episode basis, but there's no getting around the fact that my ability to emotionally invest has been irreparably damaged by Harmon's dismissal, and even if Community runs six seasons and a movie, I don't think I'll ever get it back.

And so what we're left with is perhaps half the delicious vanilla-fudge swirl that was Community's mix of formal ambition and Dan Harmon's character work. And I am of course more than happy to eat that vanilla ice cream left behind (especially when 90-95% of other sitcoms on the air don't even reach the level of vanilla, most tasting a bit more of refuse and sewage), but after three seasons and 71 episodes of eating that vanilla-fudge, I do find something inescapably lacking.

I'm still looking forward to watching the study group's senior year. With 30 Rock ended, Louie off the air for 2013 and Parks and Rec not as good as it used to be, Community is still alpha dog of the sitcom pack, give or take a Bob's Burgers (and New Girl's last few episodes have been awfully good, though I'm still not sure I'd call them Community good.) But Community was my absolute #1 favorite show of 2012, and, were it not for Friday Night Lights, probably would've earned that distinction in 2011 and 2010 as well. And I don't think it can rise up to those heights again sans Harmon. That makes me quite sad.

Or, as Troy put it: "MY EMOTIONS! MY EMOTIONS!"

Wednesday, January 9, 2013

Parenthood Sets the Bar Early for Great TV in 2013

Season 4 Episode 13 - "Small Victories"


Now that's what I'm talking about. This is the Parenthood I put at #4 on my top shows of 2012, the Parenthood that making-you-cry-with-television warlock Jason Katims has somehow stuffed full of pure Friday Night Lights-era magic, the Parenthood that leaves all other pure human dramas on TV (and yes, that includes your precious Mad Men, internet) bowing at the feet of its effortless superiority.

Yeah, I thought "Small Victories" was a damn good episode.

Wednesday, January 2, 2013

Retro Review: Community, Season 2 Episode 12 - "Asian Population Studies"


(I'm still a little burned out from writing my top fifty list, so instead of a new TV episode review I'm gonna chill out and post a review I wrote a while back for the Community message board on The A.V. Club, where I post under the screenname Eolith. The review includes "Stray Observations" and "Commentary Commentary" categories that aren't part of my regular routine but I did to fit into the board's review style guide, so don't be alarmed. We'll return to our regularly scheduled weekly episode reviews and Wednesday essays/lists next week.)

"Asian Population Studies," the kickoff of the gang's fourth semester at Greendale, is never mentioned alongside "A Fistful of Paintballs"/"For a Few Paintballs More" or "Curriculum Unavailable" when discussing Community's spiritual sequel episodes, but maybe it should be. The episode too directly echoes the previous January midseason premiere "Investigative Journalism" to be entirely an accident, both centering around the study group debating the merits of adding an eighth soul to their merry band as they return from winter break. But rather than a celebrity guest spot, the two men applying for group membership this time around are established characters within the show's universe: Jeff's offputtingly perfect pottery rival Rich and former Spanish teacher Ben Chang.

Tuesday, December 11, 2012

Parenthood Embraces the Cheese, to Mixed Results

Season 4 Episode 11 - "What to My Wondering Eyes"


Well, this is awkward.

After my generally bitter takedown of Homeland last week, I chose to balance the scales by reviewing my single favorite currently non-hiatus show on television, NBC's Parenthood. I went into "What to My Wondering Eyes" absent a shred of critical objectivity, planning in advance to report to my blog afterward to give it a thorough fanboy ball-washing, only to discover that it is without a doubt my least favorite Parenthood of 2012 and quite possibly the weakest entry since the series was first finding its footing back in season 1. Oops.

Part of the problem lay in Sarah's storyline, and part of it came down to sheer cheesiness. Don't get me wrong – Parenthood is, always has been, and always should be perhaps the most earnest, nakedly emotional show on television. That's why it's great. But this episode stumbled past earnest to become aggressively cheesy at points, a line that incredibly talented Parenthood boss and former Friday Night Lights boss Jason Katims has rarely fallen on the wrong side of in the past. It is my hope and expectation that with episode 12 he rights the ship and it's smooth sailing from there on out, but, despite the typically superlative acting and a few highlights, there were real problems here.